My old pal Terry Fitzgerald asked me if i could scrounge something up for a charity auction for the Alumni Association of Vancouver Island University (VIU). Thus, this batman doodle:
I thought I'd throw it up here so a few more folks can see it than who might stumble across it on ebay where they'll action if off. I'll post a link next week or so where you can find it on ebay, if anyone's interested. I usually don't hawk my work online, but this is for a good cause.
Still doing the Demon for DC... Same deal as Lobo: Scott Ian writes and I confuse the hell out of everyone with a surreal combo of monster muscular bad-ass dudes, cartoon violence and twisted humor.
Here're some Demon pages & sketchbook art cluttering my art table right now. Yes, I made the colored tabs on the sketchbook—I neurotically color-code everything, don't ask why...
Scanning MAXX CHAPTERS from 'Art of Sam Kieth' book...
I can see these waaaaay too much unpublished maxx art to ALL fit into the Art of Sam book! Yeah, we give two whole chapters to it, one to the comics and one to the cartoon, but there's still about 200 pages of unseen maxx crap, so i may have to throw that into the Monster art book, or maybe parcel them out into the sketchbooks... dunno yet.
Here's a good example: one of the maxx trade covers in its original 'non-digital' form:
I reversed a stripe with Julie, but looking back now I think it was a mistake—too late now.
A lot of art we'll print in 'Art of Sam' book are old maxx or MPC covers you may have seen. Why? Mostly because they're larger, sometimes full size... and because they printed so poorly in the original comics. Not always, but sometimes. So, I figure you won't mind checking out some originals, because in some cases, it IS almost like seeing a new piece of art all over again. But tons of unpublished crap will be in there too, if that's your thing.
I don't mean to harp on maxx, but those are the chapters I'm knee deep in right now. Here's one of a ga-zillin little color 'roughs' littering my studio closet:
Nice to get them out there so people can see them before they crumble to dust. This has been a very emotional experience, looking back on all this art I've piled up all these years. Sort of like a visit from an ex-wife at times.
But it's a blessed relief as well. So many regrets, so much I'm thankful for. I hate to seem so melodramatic... but there's a crap load of ambivalence about whatever 'comes out of me'. But what artist doesn't drive those he lives with crazy with moody-assed dramas?
Here's a wide painting we used in the old maxx animated series—I did it specifically for them to 'pan' across during one of the shots. I'm amazed it's still in good shape, as watercolor can be so friggin' fragile.
One good thing about bad art? At least it's all Landfil once we pass on. I don't mean that bitterly, I just get sick of my own trivial personal little dramas all artists get stuck in. How cool is it to not BE here anymore? Wiped clean. Like a blackboard. Poof. Chalk dust. I don't mean suicide or anything, I just mean naturalness of death. Like autumn leaves turning brown and curling and drying up. Like all the characters disappearing at the end of the maxx series, one by one... Like you and i will someday. It's almost cathartic in a way.
And yes, that's budget crude 'white out' I used on the creature. :)
So I hope I haven't depressed you either, that wasn't my intention. We're alive TODAY. You're reading a goofy comic book post, and I'm writing one. Another day. Anther chance. How cool is that?