For some reason... people seem to *really* respond this cover. I don't mean that in an ego-centered way. It's not the best drawing of Julie or the Maxx i've done either. I don't get it.
Maybe it's because it's a little flashy and surreal with all the abstract, slightly 'Inuit inspired' filigree.
Any cover with Julie always gets extra attention too.
It's an unusually *large* cover too, as you can see by the space it eats up on my art table.
Compiling a series of "Art of Maxx" books.. lotta unseen stuff...
so my studio's brimming over with all this old/new Maxx crap. Will be good to finally get all this out in a nice published collection.
Twenty years of moldy bristol board is hard on the sinuses. : )